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maggio 15, 2019 - No Comments!

The fairy houses

The fairy houses by Natascia Talloru

CULTURE | CURIOSITY

Natascia Talloru

Natascia Talloru is a journalist and a social media manager. Born in Barbagia, one of the most fascinating areas of inner Sardinia, she describes her beloved land and sea
in stories and legends about wildlife, ancient rituals, magnetic energies, healing herbs and much more.
She has a background in pharmaceutical chemistry, but she’s also interested in alternative medicine, natural therapies and nutrition. She loves all the arts, and she has chosen to express herself through writing, music and photography.

The fairy houses. That is how the hypogean pre-nuragic tombs dug into the rock and located throughout Sardinia are called. Hidden among the trees and shrouded in ivy leaves, they come in different shapes and have one or more adjoining rooms.

They are said to having been used as collective burials, in the past. When the Sardinian people understood their use, they called them domus de janas, or fairy houses, because of their very small size. Hence the belief that little beings like the fairies lived there.

Personable and friendly, and at the same time mischievous and unapproachable, the fairies guarded great treasures, jewelry, gold coins and precious brocades.

They dressed in red and wrapped around their heads embroidered handkerchiefs that ran down their shoulders. They used golden looms to weave and spread their beautiful fabrics on the lawns.
Even the word jana seems to have a mythological meaning and according to scholars who study the history and archaeology of Sardinia, it derives from Diana, goddess of the moon. Maybe this is the reason why it is said that at night the fairies woke the people they wanted to give their treasures to, with the very strong light coming from their bodies.
Even children were visited by the janas during the night and according to popular belief they had the power to decide their fate.

THE FAIRIES OF MONTEOE 1,2
In ancient times, on the hill of Montetoe there was a huge and magnificent palace, inhabited by the fairies.
They were beautiful girls with wings that made them look like angels.
They could go anywhere. During the night they would go to Pozzomaggiore and roam the village.

They could go wherever they wanted, they could enter any home through the keyhole or the windows when people were asleep.

If they saw someone they liked, they would come up to their bed and wake them up by gently calling them three times. Then, they would led them to Monteoe and they would light up the path with the light coming from their bodies.

At the top of the hill, they would take the chosen person to their palace and showed her plenty of riches. There were chests filled with jewels, precious stones and gold coins; other boxes contained exquisite fabrics and brocades that fairies wove with their hands.

People would gape at so much wealth and they were immediately tempted to plunge their hands in and seize it.
But they could not seize the treasure in front of the fairies, because whoever touched it would be charred.

No one knew that to grab the treasure you did not have to touch it, but you should come back the next day, when the fairies were not there, taking a rosary or a blessed object to throw on it. That was the only way to break the spell.
Now both the palace and the fairies have vanished, but the treasure is still there, hidden on the hill of Monteoe, even if no one can find it.

1 Source D. Turchi
2 Source G. Bottiglioni

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luglio 17, 2016 - No Comments!

Lucio Passerini

Il Buon Tempo

EDITORIAL | LETTERING

The Saunter meets Lucio Passerini

 | ILBUONTEMPO.IT |

“Addicted to printing.”

Foto: Giovanni Altana

Lucio Passerini —
Il Buon Tempo

Lucio Passerini is a printmaker, typographer, printer and publisher of artists books.
His imprint is il Buon Tempo, based in Milan. He also curated the italian edition of some classic texts by masters of modern typography.

Foto: Giovanni Altana

Define yourself in 3 words.
Addicted to printing.

Define what you do in 5 words.
Prints that money can buy.

What’s your inspiration?
My imprint, il Buon Tempo, is explicit
Time is the precious treasure that we all have the opportunity to manage.
Spending time on books – imagining, designing, printing – is to me the best way to spend time
Il Buon Tempo is a game, serious and light, I use to say.
game is the activity that man considers most seriously, eventually.

Foto: Giovanni Altana

What is your relationship with the past and with the future?
I always happen to find myself in between the one and the other, like everyone else.
I like to study the traces of the past, it’s both necessary and fascinating.
Knowing these traces serves to leave one’s own.

The three most important things you learned?
“The artist is always beginning” scriveva Ezra Pound nel 1913.

We learn that there is always something else to learn.

Printing types and the hand press involve a mix of intellectual and manual work. This combination is essential.
Composition and printing techniques are simple, so are the tools and machines used, all inherited from previous generations.
However, keeping under control the subtle phisical variables that influence the result, papers, inks, printing pressure, humidity, etc., involves great attention and constant commitment, things that are aquired slowly.

What’s your opinion regarding today’s public?
This could be a theme to be developed in a long essay.
In general it is upsetting to see how the possibility of choosing among pre-packaged menu items is mistaken for the exercise of individual freedom.
in the small field of my experience I see that the fracture between generations caused by rapid changes in technology has triggered a new interest in artisanal processes in the most attentive part of today’s youth. It remains to be seen whether the phenomenon will take root or soon will pass.

I see that the fracture between generations caused by rapid changes in technology has triggered a new interest in artisanal processes in the most attentive part of today’s youth. It remains to be seen whether the phenomenon will take root or soon will pass

What is creativity?
The journalistic expression “creative work” cracks me up.
Perhaps creativity is simply the inclination to solve problems by experimenting with new solutions.
I certainly know that it is directly proportional to knowledge, which in turn is directly proportional to curiosity.
If - today it often happens - the word is intended as a vague celestial gift, an elusive privilege, then it becomes an alibi for amateurism and generates only crap, as Enzo Mari says, a commercial label applied to selected products.
I would say that creativity is the fruit of good digestion of knowledge.
So it’s better to eat well.

The creativity is the fruit of good digestion of knowledge

Tell us about your personal creative process.
The starting point is often a text, a key image. a cue from the previous project.
From this basic material the process begins, the doing and undoing that eventually leads to making an object made of printed paper.

Your next project?
A funny collection of tautograms related to italian opera.

What did you want to be when you were a child?
As a child I would have answered this question “I’ll do what I can.”

What idea would you like to have had?
Ah! if I had invented the bicycle ...
The third great invention of humanity after the wheel and the printing press.

Foto: Giovanni Altana

Foto: Giovanni Altana

SCOPRI GLI ALTRI ARTICOLI

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